Saturday, November 24, 2007

Does a dog possess Buddha-nature

deepSTREAMS

This is not often explicit in Jung’s writing, as for instance in his argument that Westerners must take a different approach from “Easterners” to the same goal, and therefore utilize different techniques. That is the argument that “this is how it is for us;” and it is an undercurrent in Jung’s analyses which serves to use Buddhism as a vehicle for the validation of Depth Psychology, rather than an open investigation of their mutual limitations and strengths. This sharp distinction between “East” and ‘West” appears to serve Jung both in his argument that Buddhism is by and large not for Europeans (whereas by inference, Depth Psychology is) and in allowing his sweeping generalizations about the radically “introverted East” which Said has criticized as Orientalism. It is clearer in his apparent disinterest in actually investigating his source materials at any length. As Jungian analyst J. M. Spiegleman points out in a panel discussion, “Jung’s position on this is, which I think is subject to real criticism. . . was that he refused. . . for example he went to India and wouldn’t even talk to those masters because he was trying to protect his own alchemy. He took Western alchemy to India, he talked a little bit, but he was trying to protect that treasure. So he could have talked to some pretty big people, which how great for us all if he would have done that, but he didn’t.” (Vreeland, 1996). We have in addition Jung’s own assertion that “we do not assume that the mind is a metaphysical entity or that there is any connexion between an individual mind and a hypothetical Universal Mind. Our psychology is, therefore, a science of mere phenomena without any metaphysical implications.” (Evans-Wentz, 1954)

In the context of his discussion of Zen, this essentially Judaeo-Christian notion is introduced in his comment on the famous koan “Joshu’s Mu” (or “Wu” here). In appreciating the fact that “Nature herself” answers the monk’s question “Does a dog have Buddha nature?” with Joshu’s answer of “Mu!” Jung goes on to introduce a very non-Buddhist interpretation. He reads “wu” as “wu-wu” (as in bow-wow) and comments “. . . how much wisdom there is in the Master’s “Wu,” the answer to the question about the Buddha-nature of the dog! One must always bear in mind, however, that there are a great many people who cannot distinguish between a metaphysical joke and nonsense. . . “ (1992). This would unfortunately seem to include Jung himself.

"Buddha nature of the dog" - Google Search

"Buddha nature" dog - Google Search

Saturday, November 03, 2007

planet.fo

planet.fo - Føroyski ungdómsportalurin:

Watkins Kids í Mullers Pakkhúsi
29. jun 2007,


"Summartónar ljóma enn um alt landið, ein av forvitnisligu upplivingum verður í Müllers Pakkhúsi í kvøld, tá klarinettkvartettin Watkins Kids spælir. Anna Klett, Oddur Hentze, Bjarni Berg og Martin Mouritsen hava øll somu lagnu at hava verið næmingar hjá enska dirigentinum Hugh Watkins, sum seinast í 70-unum kom til Klaksvíkar og síðani til Havnar, har hann tók sær av tónleikafrálæru.
Hann var dirigentur hjá fleiri orkestrum men serliga hjá GHM, har hesi fýra hava sínar røtur. Ein hópur av blásarum vóru settir at spæla og hesi fýra hava hildið fast í sínum ljóðføri. Tey hava øll útbúgvið seg í tónleiki uttanlands og virka sum tónleikalærarar og tónleikarar.

Anna Klett býr í Keypmannahavn og virkar sum ykistónleikari burturav.
Hon hevur vunnið sær fastan sess millum danskar tónleikarar, serliga tá ræður um nútíðartónleik. - Vit vóru øll á ein hátt børnini hjá Watkins fyri umleið 30 árum síðani og hava nú funnið saman á ein serligan hátt við hesi klarinettkvartettin, siga Watkins Kids í tíðindaskrivi.
Skráin er sett saman av modernaðum tónleiki fyri kvartettina,"

WOW Hugh Watkins :-)

Kvinna: "Hugh Watkins Enskur musikari, sum livdi her í 70-80´unum. fekk alt møguligt upp at koyra við blásiinstrumentum. poula 06-06-2005 kl. 00:45"

webbyen.dk:
"Stutt um GHM

GHM , ið merkir 'Georg Hansen Minni', var stovnað 14. mars 1922.

Felagið fekk navnið eftir Georg Hansen bakara, ið slóðaði fyri øllum tónleikarlívi í Føroyum.

Tað vóru næmingar hjá Bakara Hansen, sum tá framvegis livdi, ið stovnsettu orkestrið. Teir vildu, at orkestrið skuldi vera honum, sum teir skýrdu ' Faðir tónleikin í Føroyum', ein livandi minnisvari. Virksemið hjá G.H.M hevur verið misjavnt gjøgnum árini, men eftir eina endurreistn í 1950 hevur gingið meira støðugt.

Harmoniorkestrið G.H.M. var í 1950’unum og 1960’unum kent fyri sín tónleik á útferðum, konsertum og serliga spæli til gamlar dansir bæði í Havn og úti á bygd.

Mitt í 70’unum kom ein bresktur venjari til Føroyar, nevndur Hugh Watkins.
Hann var í fyrstuni tónleikaralærari í Klaksvík, men seinni kom hann suður til Havnar.
Hann setti nógv ung í gongd at spæla uppá ymisk blásiljóðføri, og innan stutta tíð vaks orkestrið úr 18 til 38 spælarar og sum nakað nýtt, komu 3 konufólk við í orkestrið tann 13. sep. 1976.

Orkestrið er nógv broytt gjøgnum tíðirnar. Í fyrstani var GHM eitt lítið orkestur manna við tilkomnum havnamonnum, men fram til 2005var GHM eitt orkestur við uml. 25-30 spælarum, bæði konufólk og mannfólk, og flest ungir spælarar.

Á vári 2005 vóru GHM og Tórshavnar UngdómsHarmiorkestur samanløgd og eftir samanleggingina, telur GHM 70-80 spælarar.